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Ed Brubaker has made a big name for himself as one of the best Captain America writers in the last few decades, but that's an epic that requres a healthy knowledge of Marvel continuity to really appreciate.

Instead, check out the four volumes of his creator-owned book Sleeper, a tense tale of superhero espionage. Agent Holden Carver is in deep cover in the most dangerous terrorist organization in the world. Unfortunately, the only person who knows about this is in a coma. His struggle to survive as a good person doing bad things is riveting reading.

Okay, so I have to put a few artsy-fartsy things on this list to keep up my indie cred. Epileptic, by French artist David B, is an incredible journey through reality and fantasy. When his brother Jean-Christophe is diagnosed with epilepsy, it opens a door to a world of holistic quackery, ineffective science, and an exploration of how far a family's limits can be stretched. Gorgeously drawn and intricately designed, this is a must-read for anybody serious about the potential of comics.

Superman, as a character, has always seemed sort of played out to me. I mean, here we have a dude who can do just about anything and he can't keep a bald guy in jail? Leave it to Scottish comics prodigy Grant Morrison to take the Man of Steel and make him interesting again with this twelve-issue limited series, recently collected in an awesome hardcover. Faced with his upcoming death, Supes must explore his legacy, conquer his fears and come out on top, all with spectacular art by Frank Quitely.

• Related Image Gallery: Comic-Con 2010: 11 Must See Creators at SDCC

It may seem like a drug-addled fever dream that a comic written by the lead singer of My Chemical Romance could be any good, but here we are. The Umbrella Academy is a surreal, inventive tale of a group of ex-superheroes brought back together by the death of their mentor. When new menaces threaten their lives, they must puzzle out exactly what is happening in the world while combating an unusual threat from within their own ranks. There's nothing quite like this book out there, which is reason enough to pick it up.

Along with Watchmen, Batman: The Dark Knight Returns ushered in the modern era of superhero comics. This dystopian alternate future tale by Frank Miller posited an aging Caped Crusader retired from crimefighting and watching the world turn to poop around him. When his old enemies come out to terrorize Gotham City once more, Batman comes out of retirement, against the wishes of the government. Featuring the best Batman vs Superman fight ever, some hilarious media commentary on the 80s, and some of Miller's best art, this is a somewhat dated but still essential book.

Jeff Smith's Bone might sound like the autobiography of Ron Jeremy from the title, but it's actually an incredible epic all-ages fantasy with spectacular artwork and a compelling plot. If you think Twilight is a page-turner, you haven't seen anything yet. Following the exploits of a trio of cartoonish cousins as they land ass-first in the middle of a prophecy involving dragons, a hidden princess and the Rat Creatures, some of the best villains in comic book history.

If all you know of The Walking Dead is the AMC series that's basically already self-destructing, you need to get down to your local bookery and pick up the comics that started it all. You can get a gigantic Compendium of the first 48 isses in one 1000-page volume. Robert Kirkman's tale of life after the zombie apocalypse is tense, gripping, and utterly impossible to put down. Once you start reading, you're not going to be able to stop, and you'll be complaining about the show with the rest of us.

Love him or hate him, Warren Ellis will always have our ear just for creating Planetary. His long-running series just wrapped up, and it's a doozy. Unlike other books on this list, the more plugged in you are to the wild world of comics, the more you'll get about Planetary. Three investigators - Elijah Snow, Jakita Wagner and the Drummer - work as 'archaeologists of the impossible,' tracking down mysteries around the world. What this means is reinterpretations of pop culture from Godzilla to John Constantine, through a twisted lens.

This is sort of cheating, since Paul Karasik and David Mazzucchelli's adaptation of City Of Glass is based on, you know, a real novel, but whatever. The comic book take on Paul Auster's tale of a writer turned private detective slowly losing his mind as he gets too involved in his first case is good in prose, but transcendent in pictures. Mazzucchelli, who gained fame illustrating Daredevil and Batman, pulls out every trick in the cartoonist's handbook for this slim little book, twisting yoru perceptions until you're as mixed-up as the protagonist.

Hardcore comics fans, when asked for a series that doesn't get enough props, point to Mark Gruenwald's 1985 Squadron Supreme miniseries. Hitting stands a year before Watchmen, it took the Squadron Supreme - Marvel analogues of DC's greatest heroes - and let them carry forward a story of exactly what would happen if superheroes really tried to change the world. The results, naturally, are horrendous. It's an amazingly bleak and bizarre book that was published at one of the stinkiest times in Marvel's history, making it a true cult classic.

If, after reading a bunch of these graphic novels, you're still a little confused about the potential of the form, take a step back and pick up Scott McCloud's Understanding Comics. Still the best overview of exactly where comics and graphic novels came from and where they are going, this treatise (in illustrated form) breaks down the unique elements of visual storytelling, making a case for them as legitimate art and not just four-color timewasters for kids.

Here's another Alan Moore masterpiece that got absolutely butchered in its transition to Hollywood. The dense, epic From Hell is an investigation into the still unsolved Jack the Ripper murders that plagued London in the late 1800s. 572 pages long, it's not an easy read, but it's incredibly satisfying to penetrate the layers of symbolism that Moore piles on. If you hated the movie (as you should), don't let it ruin you on the book - it's a very different beast indeed.

I tried to limit the amount of manga that made this list - opening the door to the massive world of Japanese comics would necessitate me expanding it to 100 items at least. But some had to make the cut. Katsuhiro Otomo's Akira is a landmark achievement in graphic storytelling - a 2400-page masterwork of dystopian sci-fi that's a breeze to read but will have you returning again and again. In a neo-Tokyo devastated by a long ago war, wild gangs of teenage bikers clash with a mysterious government experiment, and the chaos that results is some of the most lovingly-drawn ever.

British cartoonist Bryan Talbot is a man of singular, if bizarre vision - his comics are dense, beautifully illustrated, and often impossible to understand. His most approachable work, The Adventures Of Luther Arkwright, would take longer to describe than I have here, but I'll make a go of it. The titular hero can shift himself between parallel universes by thinking about it, and as such can get pretty ridiculous. Heart Of Empire is the sequel to these early works, and although it's easier to follow, it's no less thought-provoking, gory and unpredictable.

This one hails from a few years back, but it's still one of the most interesting takes on some of Marvel's B-list characters. The Inhumans, for those who don't know, are a race of superhuman beings who live cloistered in a secluded dome in the Himalayas, or sometimes on the Moon. This collected edition of the limited series by Paul Jenkins and Jae Lee sports breathtaking art and a more emotionally complex story than you could ever imagine being acted out by fish-people and dudes who can't talk.

One cool thing about graphic novels is that they can take us places that we would ordinary never go. In the case of Guy Delisle's Pyongyang, that includes the capital city of North Korea. Delisle worked as an animation supervisor for a North Korean film company, and his stories of traveling to the Hermit Kingdom and struggling to understand what happens there are quirky, bizarre and absolutely worth reading.

Garth Ennis and Darick Robertson's Transmetropolitan perfectly illustrates why comic books are so perfect for sci-fi. If this was a movie, the effects budget would be through the roof, but all it takes are some strokes of a pen to bring this dystopian future world to riotous life. Protagonist Spider Jerusalem is an uncompromising gonzo journalist who finds himself at serious odds with the leader of the Free World - his quest to see justice done and the truth told is harsh, hilarious and unlike anything you'll ever read. There are 10 collected volumes available, but Back On The Street should get you started.

Okay, so the 'painted comics' trend of the late 1990s resulted in a lot of pretty lousy books. But it also gave us Marvels, Kurt Busiek and Alex Ross's look at how life in the Marvel Universe is for us normal Joes. One of the things that gave Marvel such a leg up in the early days was that their stories took place in a somewhat realistic world - Spider-Man lived in Queens, for God's sake. Marvels follows a news photographer in the early days, before NYC had been demolished dozens of times by super-dude squabbles, and it's pretty great.

A lot of the books on this list are fairly light reading - full of big pictures and little words, you can breeze through them in a couple days. But Jimmy Corrigan, The Smartest Kid On Earth won't go down so easily. In thousands of tiny, precisely-drawn panels, master cartoonist Chris Ware tells the tale of Jimmy, a sad-sack office drone who gets reunited with his missing father while also flashing back to the Chicago World's Fair, in a way unlike anything you've ever seen. There's a reason that highbrow comics nerds are unanimous in their praise of this book - it's just that damned good.

Daredevil has always been an also-ran in the Marvel universe - popular enough to have his own book, but never a real A-lister. That all changed when Frank Miller and David Mazzucchelli took over his book in the mid-1980s. The pair turned the blind crimefighter into a true street-level hero, pitting him against new menaces and old foes in a plot orchestrated by the Kingpin, who had set out to ruin Matt Murdock's life. Born Again collects the emotional peak of their run, with Daredevil down and out but never defeated. It's good comics.

Another book from the dynamic duo of Grant Morrison and Frank Quitely, We3 has a premise that comes straight out of science fiction. Three common household animals are experimented on to gain advanced intelligence and the ability to pilot advanced battlearmor. Naturally, this goes horribly wrong and the animals escape, using their new abilities to return home. It's both hyper-violent and bizarrely touching at the same time, and Quitely's art is stellar.

Dave McKean is probably best known as the cover artist for Neil Gaiman's Sandman series (which we'll get to later), but he's surprisingly as good a writer as he is an artist. In Cages, his only graphic novel, he examines the lives of a number of residents in an apartment building as they wrestle with issues of creativity and belief. Not only is it gloriously drawn, it's an amazing meditation on what it means to be an artist and how we force ourselves to change to communicate.

And from the sublime to the ridiculous - Peter Bagge's Hate comics were the best illustrations of what life was like in early '90s Seattle, as grunge swept the globe and flannel shirts were suddenly cool again. Buddy Does Seattle collects the first fifteen issues of that series, for grown-up readers only, as acne-scarred everyman Buddy Bradley deals with crazy girlfriends, crappy jobs, annoying hipsters and more. It's a trashbag classic that has still not been beaten for hilarity.

DC's Wednesday Comics was a bizarre experiment in retailing - one-page stories starring a variety of superheroes by some of the industry's top talents, published in an impossible-to-store broadsheet newspaper format. Thankfully, after the series wrapped up, they collected it all in a massive book for you to pull out at your leisure. While not everything in here is great, stories by Neil Gaiman, Walt Simonson, Kurt Busiek, and many more make it an awesome purchase with amazing visual appeal.

It's interesting how sometimes the least respected characters can make the most interesting stories. Hawkman has been an albatross around DC's neck for years - in a universe where just about anybody can fly, how useful is a superhero who can only fly? 1989's Hawkworld rebooted the character in the most interesting way yet, as writer Tim Truman attempted to clean up a continuity mess while also giving us a rip-roaring sci-fi tale that brought Hawkman (and Hawkgirl) back to their roots.

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If all you know of Whiteout is the lousy Kate Beckinsale movie, get your ass onto Amazon and order the original graphic novel right now. This grim and gritty crime thriller, set at McMurdo Station in perpetually-frozen Antarctica, not only has one of the best female heroes in comic book history, but will also keep you riveted to the pages until you finish the book. When a mysterious murder at the station brings U.S. Marshal Carrie Stetko in to investigate, she must not only survive the criminal, but also the overwhelming cold.

This one-off story is widely regarded to be the single best take on Marvel's iconic metal-masked villain. In Emperor Doom, the lord of Latveria employs the mind-controlling Purple Man to give him total domination over the Earth. Normally, these plans would be foiled by the Fantastic Four or the Avengers or something, but this time, Doom wins. He takes over the world and leads it to a new Golden Age of peace and stability - under his totalitarian rule, of course. But without conflict, Doom is bored, and the way the status quo returns to normal is something special.

Kyle Baker is one of the most creative and prolific cartoonists working today, with credits ranging from Deadpool to Plastic Man. His big breakthrough came with the graphic novel Why I Hate Saturn in 1990. When neurotic New York writer Anne's life is turned upside down by the arrival of her sister Laura, bleeding from a gunshot wound and calling herself Queen of the Leather Astro-Girls of Saturn, what follows is an estrogen-drenched adventure that puts Thelma & Louise to shame.

Alison Bechdel's Fun Home wasn't just praised by the comics press - Time Magazine called it the best book of 2006. Not comic book - book book. That's a pretty staggering triumph for the graphic novel, I'd say. It really is that good - pioneering lesbian cartoonist Bechdel, best known for her Dykes To Watch Out For strip, ventures into her family's past to explore the unusual life and death of her father and how it related to her own discovery of her homosexuality. Literate, well drawn and touching, this is the real deal.

Before he broke big with Dark Knight Returns, Frank Miller stretched his chops with Ronin, an unusual sci-fi graphic novel heavily inspired by manga, most notably the classic Lone Wolf And Cub. Flashing back and forth between feudal Japan and a dystopian future, this intense story may get a little confusing at times, but there's no criticizing the sheer imagination at play here, not to mention the gritty reality of the fight scenes.

One of the mainstays of the 1980s independent comics scene was Paul Chadwick's Concrete, the story of a speechwriter who found his brain involuntarily transplanted into a hulking stone body. He doesn't fight crime or anything - instead, he uses his new durability and lack of a need to breathe, eat, et cetera, to embark on a series of adventures including climbing Mount Everest. Chadwick's classically-informed art is nothing short of spectacular, and this series still holds up today.

Before Marvel handed over the keys to the X-Men to Grant Morrison, they let him get his ya-yas out in this insane story set somewhere outside of continuity. When trans-dimensional astronaut Noh-Varr of the Kree Empire ends up on Earth, his crewmates dead and his ship missing, he sets about to reform our debased society by force. Featuring such foes as Hexus, the Living Corporation and Joe Midas, who has the mutant powers to turn anything to his advantage, this is probably the only comic where the hero carves 'F--- You' in giant letters of flame in Manhattan.

Alan Moore shows up on this list once again - it's kind of sad, really, but few writers have had as enduring an impact across as many genres. One of his long-running obsessions has been with magic - not rabbits out of hats, but old-school Aliester Crowley fundamentals of the universe stuff. In Promethea, his series with artist John H. Williams III, he indulges this fascination in an incredible way. Promethea is a superheroine, sort of, but she's also a symbol of the power of fiction, and this gorgeous journey through the realms of the unreal is a challenging, but rewarding read.

If you wish The Wire was still on the air and are missing your dose of hard-boiled police action, have I got a comic for you. Paul Grist's Kane starts out with a simple premise: Detective Kane of the New Eden Police Department has returned from a suspension. But he got that suspension as a result of killing his partner Dennis Harvey, who was caught up in some corrupt business. Now Kane has few friends inside the department and even fewer outside it. This dense, layered book is carried by Grist's singular art, which looks like a more cartoony Mike Mignola.

Jean 'Moebius' Giraud is one of the most influential comic book illustrators of all time, with his incredible mastery of line and form elevating him to the top tier of cartoonists. In Arzach, one of his classic books, Moebius takes us through four short stories, each delineated in his incredible style. The titular character, an unspeaking warrior who rides a giant pterodactyl-like bird, wanders seemingly aimlessly through dreamlike landscapes, coming into contact with a variety of situations. This is a veritable feast for the eyes that you won't soon digest.

We take a short side trip back into the realm of Japanese comics with The Drifting Classroom, Kazuo Umezu's astonishingly bizarre elementary school horror tale. When a mysterious explosion rocks a school, the entire thing is spirited thousands of years into the future, into a radiation-ravaged wasteland where nothing can survive - or can it? The combination of cute kids having to kill to survive with Umezu's endlessly grisly and graphic visual style is both hilarious and terrifying.

Neil Gaiman's Sandman is maybe one of the most overrated comics of all time - but that doesn't mean it isn't good. The tale of the Lord of Dreams escaping imprisonment and returning to his station had some good parts and bad parts, but for my money the second storyline, The Doll's House, is the peak. As Morpheus works to seal a vortex leaking dreams into the real world, he must deal with the terrifying Corinthian and his siblings as well.

Coming to terms with the massive body of work of the Hernandez Brothers, maybe the greatest sibling act in all of comics, is a Herculean task. So I'm just going to go with my gut and recommend The Death Of Speedy, a collection by Jaime from 1989. This marks a real transition point from semi-goofy sci-fi to more realistic dramas regarding the residents of Hoppers, a primarily Latino neighborhood. The Death Of Speedy is an all-time classic that will turn you into a believer and have you hunting down more.

I pity anybody trying to pick up and understand an X-Men comic in this day and age - decades of horribly convoluted continuity have rendered that franchise an unholy mess, despite the best efforts of some strong creators. Thankfully, there are still some awesome stories in the archives that you don't need to read Wikipedia to understand. God Loves, Man Kills was a stand-alone graphic novel that played with the key themes of the series - prejudice and predestination - in a remarkably mature way for 1982.

Dash Shaw is one of the hottest young cartoonists working today, and one peek at Bodyworld will tell you why. Originally serialized online, this insane tale of a drug-addled researcher, a high school couple and a bizarre alien experiment is so mind-destroying you might not be able to think straight for a few hours after you finish it. Books like these make the strongest case for graphic novels being able to do things that no other form of art can accomplish, and even though Shaw's barely in his twenties, he's got the skills of a grand master.

Earth X is something that you need a little bit of experience in the Marvel Universe to truly appreciate, but it's worth the back issue cost. Jim Krueger and John Paul Leon vault us far into the future, on an alternate Earth where the mutagenic Terrigen Mists have given everybody superpowers. Naturally, this makes everything fall apart in the most spectacular way imaginable. People die, continents are torn apart, and the day is saved by a very unlikely hero. The sequels Universe X and Paradise X are interesting but not as good.

I am by no means going to suggest that you read all 6,000 pages of Dave Sim's Cerebus The Aardvark - the long-running fantasy drove its creator mad toward the end. But when Sim was on, he was one of the best cartoonists in the business, and Jaka's Story shows him at his peak. Ignore the fact that the protagonist of this story is an anthropomorphic aardvark created as a Conan parody and instead focus on Sim's masterful storytelling and spectacular artwork as he tells the tale of an impossible love triangle that ends in tragedy.

It was a tough choice between Sin City and 300 - both of Frank Miller's creator-owned works are spectacular, muscular comics in their own right. But I had to go for his noir crime series that vaulted him into superstardom. After moving away from superheroics, Miller indulged his inner Dashell Hammett with a series of absolutely ass-kicking stories about tough guys, nasty crooks, hot babes and revenge.

We've seen all kinds of protagonists in our graphic novels so far, but Pride Of Baghdad steps deep into the animal kingdom for a compelling story of lions in war-torn Iraq. Based on the true story of four African lions who escaped from the Baghdad zoo in 2003 after an American bombing run, this critically-acclaimed graphic novel by Brian K. Vaughan and Niko Henrichon is more than just an adventure tale - it's a compelling meditation on exactly what the concept of 'freedom' means when you can't survive it.

If you had to pick one graphic novel to pin the medium's success on, smart money would go to Maus by Art Spiegelman. The autobiographical tale of Spiegelman's father's experience in the concentration camps during World War II has been universally applauded for its emotional power and complexity - made more staggering by the creator's decision to draw all the characters as cartoon animals. This one simple gesture both distances us from the story and makes it more powerful, as we're forced to think about the deeper meaning of that metaphor. A true masterpiece.

Is it a violation of the trust I've built up between us to put my own graphic novel on this list? I don't know. If you read it, you'd learn that I'm kind of a giant a-hole, so putting it on this list would make sense in that context. If you're offended, just pretend I put something else here. Like, uh, Blankets by Craig Thompson. If you're not offended and like disgusting hobo stories, Red Eye, Black Eye is for you. Come with me as I travel 10,000 miles by Greyhound bus, getting drunk, starting fights and not having sex with strange men at roadside McDonalds.